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The jury is still out on whether this was a deliberate attempt to unnerve Spassky, a legitimate desire to improve playing conditions or a symptom of Fischer's inner demons. His demands for the 1972 World Championship match with Spassky seem more than a little childish. That same monomania that made him a fearsome opponent also made him an uncomfortable person to live with. You have to admit that he is not an easy person to love. That's Mike Tyson at his imperious best, not the ear-chewer of later declining times. This was someone who absolutely had to win. Playing through his games you still get an incredible sense of anger and fire. He introduced a strength of self-belief and focused concentration that was frankly scary. For a spell in the 1960s and 1970s there was no-one to touch him. He was probably one of the two strongest chess players of all time. Not the way Fischer would have explained it - a whole lot more patient and polite!įischer is an enigma. Look, the pawns, man, in the game, they get capped quick. She got all the moves.īodie: Aright, so if I make it to the other end, I win.ĭ'Angelo: If you catch the other dude's king and trap it, then you win.īodie: Aright, but if I make it to the end, I'm top dog.ĭ'Angelo: Nah, yo, it ain't like that. And like I said, the queen ain't no bitch. Now, if the pawn make it all the way down to the other dude's side, he get to be queen. See, the king stay the king, aright? Everything stay who he is. Wallace: So how do you get to be the king?ĭ'Angelo: It ain't like that. And they like the front lines, they be out in the field. Except when they fight, then it's like this. They move like this, one space forward only. Aright, what about them little baldheaded bitches right there?ĭ'Angelo: These right here, these are the pawns. How many time we move the stash house this week? Right? And every time we move the stash, we gotta move a little muscle with it, right? To protect it.īodie: True, true, you right. It can move like this, and like this.ĭ'Angelo: C'mon, yo, think. And she is the go-get-shit-done piece.ĭ'Angelo: And this over here is the castle. She move any way she want, as far as she want. And they run so deep, he really ain't gotta do shit.ĭ'Angelo: Yeah, like my uncle. But the rest of these motherfuckers on the team, they got his back. Like this, this, this, aright? But he ain't got no hustle. Now, the king, he move one space any direction he damn choose, 'cause he's the king. But he trying to get your king too, so you gotta protect it. You get the other dude's king, you got the game. See this? This the kingpin, aright? And he the man. In any field.ĭ'Angelo: Now look, check it, it's simple, it's simple. But then you don't see talent like Fischer's very often either. You don't see that kind of thing very often. Fischer plays an incredibly complex and well-calculated sacrifice according to legend (I will be so disappointed if I discover this isn't in fact true) the commentator was saying that Fischer had got it wrong and Byrne was winning, when Byrne, having seen more deeply, finally understood the point of Fischer's idea and resigned. But, if I had to pick one out, I guess the 1963 game against Robert Byrne. It feels a bit silly to recommend specific examples it's rather like telling people that Shakespeare's Sonnet XVIII is quite good, and Hamlet isn't bad either. Most people would just have tried to forget these games, not wanted to tell the whole world about them. He also has the equally unpleasant loss to Geller, where they got into a complicated middle-game position with competing attacks, and Fischer missed a forced win. Fischer was so angry that he went off, and a few months later published his famous article containing what he claimed to be a refutation of this opening. He includes his horribly painful loss to Spassky, where Spassky surprised him by playing the King's Gambit, at that time a completely unfashionable choice. Fischer knew he was the best, so he prioritized interesting games, even if there were a few he didn't win. It matters about as much as the fact that Mozart didn't also write the libretto to The Magic Flute.īefore Fischer, people only ever put wins in their game collections, and entitled them "So-and-So's Best Games". He wasn't really a writer, and apparently he had to get help from Larry Evans to do the parts that weren't just game annotations. No one else has ever won a Candidates match (World Championship quarter-final and subsequent) with a clean sweep. But when Fischer was in the zone, he was so ferociously unstoppable that no real comparison is available. Kasparov had the unquestionable advantage of being sane, so he lasted much longer.
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The short-list for "greatest chess player of all time" only has two names: Fischer and Kasparov. It's sort of like you claim to be a Christian, but haven't read the Bible. If you're a chess player and you haven't read this book.